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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

I looked again, too,
at his Georgian slave, and admired it as much as at first view; so very
warm and rich it is, so sensuously beautiful, and with an expression of
higher life and feeling within. I do not think there is a better painter
than Mr. Thompson living,--among Americans at least; not one so earnest,
faithful, and religious in his worship of art. I had rather look at his
pictures than at any except the very finest of the old masters, and,
taking into consideration only the comparative pleasure to be derived, I
would not except more than one or two of those. In painting, as in
literature, I suspect there is something in the productions of the day
that takes the fancy more than the works of any past age,--not greater
merit, nor nearly so great, but better suited to this very present time.
After leaving him, we went to the Piazza de' Termini, near the Baths of
Diocletian, and found our way with some difficulty to Crawford's studio.
It occupies several great rooms, connected with the offices of the Villa
Negroni; and all these rooms were full of plaster casts and a few works
in marble,--principally portions of his huge Washington monument, which
he left unfinished at his death.


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