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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

The mystery and wonder of the gallery, however, the Venus
de' Medici, I could nowhere see, and indeed was almost afraid to see it;
for I somewhat apprehended the extinction of another of those lights that
shine along a man's pathway, and go out in a snuff the instant he comes
within eyeshot of the fulfilment of his hopes. My European experience
has extinguished many such. I was pretty well contented, therefore, not
to find the famous statue in the whole of my long journey from end to end
of the gallery, which terminates on the opposite side of the court from
that where it commences. The ceiling, by the by, through the entire
length, is covered with frescos, and the floor paved with a composition
of stone smooth and polished like marble. The final piece of sculpture,
at the end of the gallery, is a copy of the Laocoon, considered very
fine. I know not why, but it did not impress me with the sense of mighty
and terrible repose--a repose growing out of the infinitude of trouble--
that I had felt in the original.


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