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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

This is really a
wonderful collection of pictures; and from first, to last--from Giotto to
the men of yesterday--they are in admirable condition, and may be
appreciated for all the merit that they ever possessed.
I could not quite believe that I was not to find the Venus de' Medici;
and still, as I passed from one room to another, my breath rose and fell
a little, with the half-hope, half-fear, that she might stand before me.
Really, I did not know that I cared so much about Venus, or any possible
woman of marble. At last, when I had come from among the Dutchmen, I
believe, and was looking at some works of Italian artists, chiefly
Florentines, I caught a glimpse of her through the door of the next room.
It is the best room of the series, octagonal in shape, and hung with red
damask, and the light comes down from a row of windows, passing quite
round, beneath an octagonal dome. The Venus stands somewhat aside from
the centre of the room, and is surrounded by an iron railing, a pace or
two from her pedestal in front, and less behind.


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