Prev | Current Page 467 | Next

Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

" The sculptor
made it only for himself and his wife, but so many people, he said, had
insisted on having a copy, that there are now forty scattered about the
world. At sixty years, Luly ought to have her hand sculptured again, and
give it to her grandchildren with the baby's hand of five months old.
The baby-hand that had done nothing, and felt only its mother's kiss;
the old lady's hand that had exchanged the love-pressure, worn the
marriage-ring, closed dead eyes,--done a lifetime's work, in short. The
sentiment is rather obvious, but true nevertheless.
Before we went away, Powers took us into a room apart--apparently the
secretest room he had--and showed us some tools and machinery, all of his
own contrivance and invention. "You see I am a bit of a Yankee," he
observed.
This machinery is chiefly to facilitate the process of modelling his
works, for--except in portrait-busts--he makes no clay model as other
sculptors do, but models directly in the plaster; so that instead of
being crumbled, like clay, the original model remains a permanent
possession.


Pages:
455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479
Rodzic Po Ludzku Mimo Wszystko Nasze Dzieci Krwinka Kidprotect