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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

There are
two peasant Madonnas by Murillo; simple women, yet with a thoughtful
sense of some high mystery connected with the baby in their arms.
Raphael grows upon me; several other famous painters--Guido, for
instance--are fading out of my mind. Salvator Rosa has two really
wonderful landscapes, looking from the shore seaward; and Rubens too,
likewise on a large scale, of mountain and plain. It is very idle and
foolish to talk of pictures; yet, after poring over them and into them,
it seems a pity to let all the thought excited by them pass into
nothingness.
The copyists of pictures are very numerous, both in the Pitti and Uffizi
galleries; and, unlike sculptors, they appear to be on the best of terms
with one another, chatting sociably, exchanging friendly criticism, and
giving their opinions as to the best mode of attaining the desired
effects. Perhaps, as mere copyists, they escape the jealousy that might
spring up between rival painters attempting to develop original ideas.


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