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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"


His talk soon turned upon sculpture, and he spoke once more of the
difficulty imposed upon an artist by the necessity of clothing portrait
statues in the modern costume. I find that he does not approve either of
nudity or of the Roman toga for a modern statue; neither does he think it
right to shirk the difficulty--as Chantrey did in the case of Washington
--by enveloping him in a cloak; but acknowledges the propriety of taking
the actual costume of the age and doing his best with it. He himself did
so with his own Washington, and also with a statue that he made of Daniel
Webster. I suggested that though this costume might not appear
ridiculous to us now, yet, two or three centuries hence, it would create,
to the people of that day, an impossibility of seeing the real man
through the absurdity of his envelopment, after it shall have entirely
grown out of fashion and remembrance; and Webster would seem as absurd to
them then as he would to us now in the masquerade of some bygone day.


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