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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

I looked at Michael
Angelo's Madonna, in which William Ware saw such prophetic depth of
feeling; but I suspect it was one of the many instances in which the
spectator sees more than the painter ever dreamed of.
Straying through the city, after leaving the gallery, we went into the
Church of Or San Michele, and saw in its architecture the traces of its
transformation from a market into a church. In its pristine state it
consisted of a double row of three great open arches, with the wind
blowing through them, and the sunshine falling aslantwise into them,
while the bustle of the market, the sale of fish, flesh, or fruit went on
within, or brimmed over into the streets that enclosed them on every
side. But, four or five hundred years ago, the broad arches were built
up with stone-work; windows were pierced through and filled with painted
glass; a high altar, in a rich style of pointed Gothic, was raised;
shrines and confessionals were set up; and here it is, a solemn and
antique church, where a man may buy his salvation instead of his dinner.


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