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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"


We next saw the famous picture of the Virgin by Cimabue, which was deemed
a miracle in its day, . . . . and still brightens the sombre walls with
the lustre of its gold ground. As to its artistic merits, it seems to me
that the babe Jesus has a certain air of state and dignity; but I could
see no charm whatever in the broad-faced Virgin, and it would relieve my
mind and rejoice my spirit if the picture were borne out of the church in
another triumphal procession (like the one which brought it there), and
reverently burnt. This should be the final honor paid to all human works
that have served a good office in their day, for when their day is
over, if still galvanized into false life, they do harm instead of good.
. . . . The interior of Santa Maria Novella is spacious and in the Gothic
style, though differing from English churches of that order of
architecture. It is not now kept open to the public, nor were any of the
shrines and chapels, nor even the high altar itself, adorned and lighted
for worship.


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