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Hawthorne, Nathaniel, 1804-1864

"Passages from the French and Italian Notebooks, Complete"

If Carlo Dolce had been wicked enough to know what he was
doing, the picture would have been most blasphemous,--a satire, in the
very person of the Almighty, against all incompetent rulers, and against
the rickety machine and crazy action of the universe. Heaven forgive me
for such thoughts as this picture has suggested! It must be added that
the great original defect in the character as here represented is an easy
good-nature. I wonder what Michael Angelo would have said to this
painting.
In the large, enclosed court connected with the Academy there are a
number of statues, bas-reliefs, and casts, and what was especially
interesting, the vague and rude commencement of a statue of St. Matthew
by Michael Angelo. The conceptions of this great sculptor were so
godlike that he seems to have been discontented at not likewise
possessing the godlike attribute of creating and embodying them with an
instantaneous thought, and therefore we often find sculptures from his
hand left at the critical point of their struggle to get out of the
marble.


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