'The man of whom I speak was a low pantomime actor; and,
like many people of his class, an habitual drunkard. in his better
days, before he had become enfeebled by dissipation and
emaciated by disease, he had been in the receipt of a good salary,
which, if he had been careful and prudent, he might have continued
to receive for some years--not many; because these men
either die early, or by unnaturally taxing their bodily energies,
lose, prematurely, those physical powers on which alone they can
depend for subsistence. His besetting sin gained so fast upon him,
however, that it was found impossible to employ him in the
situations in which he really was useful to the theatre. The
public-house had a fascination for him which he could not resist.
Neglected disease and hopeless poverty were as certain to be his
portion as death itself, if he persevered in the same course; yet he
did persevere, and the result may be guessed. He could obtain no
engagement, and he wanted bread.
'Everybody who is at all acquainted with theatrical matters
knows what a host of shabby, poverty-stricken men hang about
the stage of a large establishment--not regularly engaged actors,
but ballet people, procession men, tumblers, and so forth, who
are taken on during the run of a pantomime, or an Easter piece,
and are then discharged, until the production of some heavy
spectacle occasions a new demand for their services.
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