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Malet, Lucas, 1852-1931

"Deadham Hard"

Beyond again, to the low horizon, stretches the
Channel sea.
The very simplicity of the picture gives it singular dignity and repose.
Classic in its clearness of outline and paucity of detail, mediaeval in
sentiment, since the great Norman church dominates the whole, its appeal
is at once wistful and severe. And, this afternoon, just as the nearness
of the sea tempered the atmosphere lifting all oppressive weight from the
brooding sunshine, so did it temper the colouring, lending it an ethereal
quality, in which blue softened to silver, grey to lavender, while green
seemed overspread by powdered gold. The effect was exquisite, reminding
Tom of certain water-colour drawings, by Danvers and by Appleyard,
hanging in the drawing-room of the big house at Canton Magna, and of
certain of Shelley's lyrics--both of which, in their different medium,
breathed the same enchantment of natural and spiritual loveliness, of
nameless desire, nameless regret. And, his nerves being somewhat strained
by the emotions of the day, that enchantment worked upon him strangely.


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