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Malet, Lucas, 1852-1931

"Deadham Hard"


As long as he was there, her room retained its normal, pleasant and
dainty aspect. All Damaris' little personal effects and treasures
adorning dressing and writing-tables, the photographs and ornaments upon
the mantelshelf, her books, the prints and pictures upon the walls--even
the white dimity curtains and covers, trellised with small faded pink and
blue roses--seemed to smile upon her, kindly and confiding. They wanted
to be nice, to console and encourage her--McCabe holding them in place
and in active good-will towards her, somehow, with his large freckled,
hairy-backed hands. But let him go from the room, let him leave her, and
they turned wicked, behaving as they had behaved throughout the past
rather dreadful night and adding to the general chaos by tormenting
tricks and distortions of their own.
The beloved photographs of her father, in particular, were cruel. They
grew inordinately large, stepped out of their frames, and stalked to and
fro in troops and companies. The charcoal drawing of him--done last year
by that fine artist, James Colthurst, as a study for the portrait he was
to paint--hanging between the two western windows, at right angles to her
bed where she could always see it, proved the worst offender.


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