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Malet, Lucas, 1852-1931

"Deadham Hard"

Its resurrection
is not only possible but certain, if not on the near side, then surely on
the farther side of death.
And not only did faith thus call her, at this period, but art, in its
many forms, called her likewise. The two, indeed, according to her
present understanding of them, moved--though at different levels--side by
side, singularly conjoined, art translating faith into terms of sound,
form and colour, faith consecrating and supplementing art. All of which,
as she pondered, appeared to her only fitting and reasonable--the object
of art being to capture beauty and touch reality, the substance of faith
being nothing less than beauty and reality absolute.
With Sir Charles sometimes, but more often with her aunt, Miss
Felicia--most enthusiastic, diligent and ingenuous of sightseers--she
visited buildings of historic interest, galleries of statuary and of
pictures. For here, too, in architecture, in marble god or hero, upon
painted panel or canvas, she caught, at moments, some flickering shadow
of the everlasting light, touched at moments both by its abiding terror
and the ecstasy of its everlasting youth.


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