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Blackwood, Algernon, 1869-1951

"A Prisoner in Fairyland"


Yet Rogers felt, even with her, that she was merely waiting. She knew
the cast was not complete as yet. She waited. They all waited--for
some one. These were rehearsals; Rogers himself had dropped in also
merely as an understudy. Another role was vacant, and it was the
principal role. There was no one in the company who could play it,
none who could understudy it even. Neither Rogers nor Daddy could
learn the lines or do the 'business.' The part was a very important
one, calling for a touch of genius to be filled adequately. And it was
a feminine role. For here was a Fairy Play without a Fairy Queen.
There was not even a Fairy Princess!
This idea of a representation, all prepared specially for himself,
induced a very happy state of mind; he felt restful, calm, at peace
with all the world. He had only to sit in his stall and enjoy. But it
brought, too, this sense of delicate bewilderment that was continually
propounding questions to which he found no immediate answer. With the
rest of the village, he stood still while Time flowed past him. Later,
with Minks, he would run after it and catch it up again. Minks would
pick out the lost clues. Minks stood on the banks--in London--noting
the questions floating by and landing them sometimes with a rod and
net. His master would deal with them by and by; but just now he could
well afford to wait and enjoy himself.


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