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Blackwood, Algernon, 1869-1951

"A Prisoner in Fairyland"

Yet the face he did not quite recognise. The eyes, instead of
blue, were amber. ...
And did this explain a little the spell that caught him in this Jura
village, perhaps? Were these children, weaving a network so cunningly
about his feet, merely scouts and pilots? Was his love for the world
of suffering folk, after all, but his love for a wife and children of
his own transmuted into wider channels? Denied the little garden he
once had planned for it, did it seek to turn the whole big world into
a garden? Suppression was impossible; like murder, it must out. A bit
of it had even flamed a passage into work and patents and 'City' life.
For love is life, and life is ever and everywhere one. He thought and
thought and thought. A man begins by loving himself; then, losing
himself, he loves a woman; next, that love spreads itself over a still
bigger field, and he loves his family, his wife and children, and
their families again in turn. But, that expression denied, his love
inevitably, irrepressibly seeking an outlet, finds it in a Cause, a
Race, a Nation, perhaps in the entire world. The world becomes his
'neighbour.' It was a great Fairy Story. ...
Again his thoughts returned to that one singular sentence ... and he
realised what his cousin meant. Only a childless Mother, some woman
charged to the brim with this power of loving to which ordinary
expression had been denied, could fill the vacant role in his great
Children's Play.


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