No amount of study of the principles of barter will make a
man a great merchant. One can study painting and learn all the
characteristics and methods and schools of the art and yet not be able
to paint a picture. No amount of study of poetry will make a man a
poet. So the crafty men of action "contemn studies," and the wise men
who use them look beyond them for their value. "English literature,"
said a noted professor not long ago, "cannot be taught"; and certain
it is that even with the most advanced analytical text-book one cannot
get a final satisfaction from "doing a sum" in English literature as
one would work a problem in arithmetic. When applied to the higher
arts, study, deep and true as one can make it, leaves one the surer
that there is a wisdom beyond, which cometh not by study alone.
Least of all can the deepest things in poetry be learned by mere
study. Poetry deals with feeling, which study excludes. Study, indeed,
seems to belong exclusively to the prose habit; it seems to be of the
intellect and not of the emotions; to be of the mind and not of the
spirit. We cannot write a text-book in poetry, nor can we ever in a
text-book written in prose put all the secret of poetry. Beyond the
text-book always lies the higher wisdom born of that which Bacon
called observation, which most of us now call insight, that immediate
apprehension of the highest relations which comes as a revelation in
our inspired moments.
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