eBooks Base 2000

184.]
That such a belief had no lack of support from facts in the last
century, is apparent merely from naming over the chief poets. Coleridge,
Byron, Shelley, Keats, Mrs. Browning, Rossetti, all publish their
ill-health through their verse. Even Browning, in whose verse, if
anywhere, one would expect to find the virile poet, shows Sordello
turned to poetry by the fact of his physical weakness.[Footnote: So
nearly ubiquitous has ill-health been among modern poets, that Max
Nordau, in his widely read indictment of art, _Degeneration_, was
able to make out a plausible case for his theory that genius is a
disease which is always accompanied by physical stigmata.]
Obviously, if certain invalids possess a short-cut to their souls, as
Birge Harrison suggests, the nature of their complaint must be
significant. A jumping toothache would hardly be an advantage to a
sufferer in turning his thoughts to poesy. Since verse writers recoil
from the suggestion that dyspepsia is the name of their complaint, let
us ask them to explain its real character to us.


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