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Atkins, Elizabeth

"The Poet's Poet"

For men have made it
plain that Sappho was not like other women; it is the "virility" of her
style that appeals to them; they have even gone so far as to hail her
"manlike maiden." [Footnote: Swinburne, _On the Cliffs_.] So the
feminists have been only embittered by their brothers' praise.
As time wears on, writers averse to feminine verse seem to be losing
thecourage of their convictions. At the end of the eighteenth century,
woman's opponent was not afraid to express himself. Woman writers were
sometimes praised, but it was for one quality alone, the chastity of
their style. John Hughes [Footnote: See _To the Author of "A Fatal
Friendship."_] and Tom Moore [Footnote: See _To Mrs. Henry Tighe_.] both
deplored the need of such an element in masculine verse. But Moore could
not resist counteracting the effect of his chary praise by a play, _The
Blue Stocking_, which burlesques the literary pose in women. He seemed
to feel, also, that he had neatly quelled their poetical aspirations
when he advertised his aversion to marrying a literary woman.


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