Then they both grab rolls of scrim
and stapleguns and stretch it loosely across the frames, and fast-bond pipes and
prefab fixtures into place. Mum harnesses up the big tanks of foam and aims the
blower at the scrim, giving it five fat coats, then she drops the blower and she
and Dad grab spatulas and tease zillions of curlicues and baroque stuccoes from
the surface, painting it with catsup, chutney, good whiskey and bad wine, a
massive canvas covered by centimetres until they declare it ready and Mum
switches tanks, loads up with fix-bath and mists it with the salty spray. Ten
minutes later, and the house is hard and they get to work unloading the U-Haul
in the drive.
And now I'm twenty-two again, and I will untether that house and fly it in the
stiff breeze that ruffles my hair affectionately.
#
Firstly and most foremost, I need to wait for the man. I hate to wait. But today
it's waiting and harsh and dull, dull, dull.
So I wait for the man, Stude the Dude and the gentle clip-clop of Tilly's hooves
on the traction-nubbed foam of my Chestnut Ave.
My nose is pressed against the window in the bat's crotch, fingers dug into the
hump of fatty foam that runs around its perimeter, fog patches covering the rime
of ground-in filth that I've allowed to accumulate on my parents' spotless
windows.
Where the frick is Stude?
#
The man has cometh. Clop-clip, clip-clop, Stude the Dude, as long as a dangling
booger, and his clapped-out nag Tilly, and the big foam cart with its stacks of
crates and barrels and boxes, ready to do the deal.
Pages:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25