And next to the monk stands the boy,--the handsomest boy in the whole
world probably at this moment. I can see now his great, liquid, dark
eyes, and his exquisite face, and the way he tossed back his long
waving hair when he struck into his part. He resembled the portraits
of Raphael, when that artist was a boy; only I think he looked better
than Raphael, and without trying, for he seemed to be a spontaneous
sort of boy. And how that boy did sing! He was the soprano of the
choir, and he had a voice of heavenly sweetness. When he opened his
mouth and tossed back his head, he filled the church with exquisite
melody.
He sang like a lark, or like an angel. As we never heard an angel
sing, that comparison is not worth much. I have seen pictures of
angels singing, there is one by Jan and Hubert Van Eyck in the
gallery at Berlin,--and they open their mouths like this boy, but I
can't say as much for their singing. The lark, which you very likely
never heard either, for larks are as scarce in America as angels,--is
a bird that springs up from the meadow and begins to sing as he rises
in a spiral flight, and the higher he mounts, the sweeter he sings,
until you think the notes are dropping out of heaven itself, and you
hear him when he is gone from sight, and you think you hear him long
after all sound has ceased.
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