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Sabatini, Rafael, 1875-1950

"Love-at-Arms"

I am about to sit in judgment."
Amazed and uncomprehending, they obeyed his wild gestures, and resumed
their places by the throne even as he walked back to the dais and sat
himself upon the ducal chair. Servants entered, bearing great candelabra
of beaten gold which they set on table and overmantel. They withdrew,
and when the doors opened again, a clank of mail, reaching them from
without, increased the astonishment of the company.
This rose yet higher, and left them cold and speechless, when into the
chamber stepped the Count of Aquila with a man-at-arms on either side of
him, marking him a prisoner. With a swift, comprehensive glance that
took in the entire group about the throne--and without manifesting the
slightest surprise at Lodi's presence--Francesco stood still and awaited
his cousin's words.
He was elegantly dressed, but without lavishness, and if he had the air
of a great lord, it was rather derived from the distinction of his face
and carriage. He was without arms, and bareheaded save for the gold coif
he always wore, which seemed to accentuate the lustrous blackness of his
hair. His face was impassive, and the glance as that of a man rather
weary of the entertainment provided him.
There was an oppressive silence of some moments, during which his cousin
regarded him with an eye that glittered oddly. At last Gian Maria broke
into speech, his voice shrill with excitement.
"Know you of any reason," he demanded, "why your head should not be
flaunted on a spear among those others on the Gate of San Bacolo?"
Francesco's eyebrows shot up in justifiable astonishment.


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