This was the circus, and the whole machinery, form and
substance, of the Circensian shows. Why had tragedy no existence as a part
of the Roman literature? Because--and _that_ was a reason which would
have sufficed to stifle all the dramatic genius of Greece and England--
there was too much tragedy in the shape of gross reality, almost daily
before their eyes. The amphitheatre extinguished the theatre. How was it
possible that the fine and intellectual griefs of the drama should win
their way to hearts seared and rendered callous by the continual
exhibition of scenes the most hideous, in which human blood was poured out
like water, and a human life sacrificed at any moment either to caprice in
the populace, or to a strife of rivalry between the _ayes_ and the
_noes_, or as the penalty for any trifling instance of awkwardness in
the performer himself? Even the more innocent exhibitions, in which brutes
only were the sufferers, could not but be mortal to all the finer
sensibilities. Five thousand wild animals, torn from their native abodes
in the wilderness or forest, were often turned out to be hunted, or for
mutual slaughter, in the course of a single exhibition of this nature; and
it sometimes happened, (a fact which of itself proclaims the course of the
public propensities,) that the person at whose expense the shows were
exhibited, by way of paying special court to the people and meriting their
favor, in the way most conspicuously open to him, issued orders that all,
without a solitary exception, should be slaughtered.
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