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McCabe, James Dabney, 1842-1883

"Great Fortunes, and How They Were Made"

"
He reached Florence in advance of his models, and while waiting for them
made two busts, one of a professor in Harvard College, and the other of
an American lady. A severe domestic affliction, however, which came upon
him soon after his arrival in Italy, affected him so greatly that he was
not able to return to his work for a long time. Then he applied himself
to his busts, which were warmly praised by the artists in Florence and
by his countrymen traveling abroad. Thorwaldsen visited him in his
studio, and pronounced his bust of Webster the best work of its kind in
modern times, and praises from other distinguished artists were equally
as warm. Orders came in rapidly from English and Italians, and from
Americans in Europe, and the sculptor soon had as much business as he
could attend to. He gave his leisure time to work on an ideal figure,
which, when completed, was purchased by an English gentleman of wealth.
This was "The Greek Slave," the most popular of all his works.
Duplicates of it were exhibited in America and at the Crystal Palace in
England, and won him praise from all quarters. This single work
established his fame as an artist, and brought him orders from all parts
of the civilized world.


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